#bc theres so much going on and so many characters

[ghostlynimbus]

My general playlist for my Supernatural Creatures AU (including the fic From Ashes)

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'

[lights-at-night]

i might be shot but tbh i think fiction podcasts have an issue with racial representation

[lovesickeros]

lord its so dark in here the sahara desert of tsaritsa content you are like a shining oasis. your characterisation of her compels me & mihoyo would be hard pressed to top it imo.!! caaaaan i humbly request yr thoughts on her first meeting w a reader of any kind, or maybe even multiple kinds (sagau, sagau god au, isekai, etc) if you so desire...

it really is like a desert here. being the fan of a character we aren't getting until the last damn nation is driving me up a wall but i will persevere bc if nothing else i support morally bankrupt women in media. we r in a severe drought over here but i do my best. unfortunately nothing i say is ever coherent so pull out your translation notes its abt 2 be messy

also this got out of hand but thats bc first meetings w the tsaritsa are tricky to write + a LOT of her characterization lies in deeper exploration then just surface level yknow...NOT A DIG AT YOU this is just my excuse for rambling. gently pats the tsaritsa she can hold so much complexity i do not have the word count to delve into it completely :]

gonna talk cult au for a bit here though because that's 99% of my content. and honestly? she thrives in sub au's of the cult au like villain au + imposter au. it's basically made for her. i mean, early days, the imposter au had been going around for a little while but one of the first few ideas was the Fatui taking reader in so like. it kinda technically actually was. pretty sure cult au Tsaritsa popped up because of the imposter au. a lot of it's writers kinda left though which. man am i getting old or.

anyway.

there isn't much of a chance her first impression is all that positive. at best it's usually neutral, imo, but rarely if ever positive. specifically because i view the Tsaritsa as someone who isn't as fanatical as most of the acolytes typically are towards the creator. she's not exactly going to worship the ground you walk on unlike a certain geo lizard. which is partially why i think she thrives in the sub au's i mentioned.

imposter au, for example. she meets you at your lowest. there's no gaudy extravagance or pampering from the acolytes waiting for you because your own acolytes have turned on you. for all intents and purposes you aren't a "god" at all. which is why i don't think she meshes well with normal cult au reader. the Fatui are made up of outcasts, basically, and imposter au slots right in just perfectly. you're weak, at your lowest, when you meet the Fatui in the imposter au. and the Fatui can help you, too.

a mutual exchange, really. the Tsaritsa sees a tool she can use to one up the rest of the nations and especially Archons, and she has no qualms about you using her and the Fatui in turn. you both want something out of it, after all. whether you just want to be safe from the rest of the acolytes, or you want revenge, or whatever else..she'll give you the power to fulfill it, and she gains the strongest piece on the chessboard when all is said and done.

the best way i can describe the first meeting is "practical", i suppose. she sees an opportunity in you. the ultimate gamble. because if she "saves" you, and you dont trust anyone else because they tried to kill you, well..she holds all the cards, doesn't she?

but the Tsaritsa, imo, is just as capable of being just as fanatical towards you as anyone else. she just won't worship you as the creator. but as yourself? clawing your way back to your divine power and taking back what belongs to you? the Tsaritsa is, to me, a character who's character flourishes in long-term fics more because she changes a LOT between "just met reader" and after having been with reader for some time. she's practically apathetic at the beginning but a lot of her character, in my characterization, shines through LONG after the first meeting.

[nexus-nebulae]

every day i wish that Rats SMP was a cartoon bc it would make the greatest show ever i think

[sieglinde-freud]

one time eva told me that inigo was basically just a total drama character and i cant like that kinda hit me like a slap in the face but like in a good way because like. she was right. and that was several months ago but the concept was so good i sometimes just come back to it and now i have a question for the class

no i dont think inigo (or anyone else i excluded) would win but if you have a case for him im open

[crows-of-buckets]

Im still so mad about the fact that baldurs gate 3 is over 100gb. Like it's just wasting space on my PS5 rn there is NO NEED for the graphics to be that bloated

[broareweabouttoviberightnow]

I love writing fics where all the guys are present but the PROBLEM is I always end up micro dosing on Darry ie WHAT are u DOING! WHERE is SODA! stop DOING THAT! two pay ATTENTION! stop TALKING! come HERE n focus on the IMPORTANT STUFF! Pony ENOUGH with the COMMENTARY! n no one has checked in the stove in 45 minutes n dinner is burnt

[puhpandas]

its been so long since human content/new content with no book relevancy even the youtubers and theorists like dawko and john are getting restless😭

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)

[suffarustuffaru]

ok but im getting emo over heinkel again so im gonna talk about him again because yeah hes yet another sad character in a sea of sad characters and i love rezero for that but like he is a character consistently characterized by one loss after the other. it's a rollercoaster and its going straight fucking down and he is so miserable and absolutely alone and its both his fault and not his fault at all. but the way it starts is - its all out of his control. the more you think about the trajectory of his life the sadder it gets.

imagine you are heinkel and your parents are the sword saint and the sword demon and you come from a long line of knights and sword saints so thats almost definitely where youre headed, right? thats whats expected of you. you are nineteen years old and youre a knight in the royal guard, which was expected of you, and you have a wife and a beautiful baby boy, which was also expected of you, but at least you have so much joy and love for the latter while the former is just another chain on the astrea family line of people who are stuck to knighthood whether they like it or not. but your family is also just another chain because youre nineteen and your mother is still the sword saint and youre playing with fate here because either youre going to be the sword saint or your son will be.

your wife, the only equal you have, falls asleep one day and never wakes up. you are twenty-one years old and a single parent and then you are twenty-three years old and your son's fate is so much bigger than youll ever be. having the worlds love means that your love pales in comparison, doesnt it? everyone knows about your comatose wife because you keep searching so much for a cure that its just another thing to gossip about. every year that passes by she just continues to look the same as she did when she was awake and alive and loved you. (you dont know it yet but your son is going to reach the same age as her, because you dont find a cure for another sixteen years and you know that she wont love you anymore because who does? theres no one left because your son doesnt count.)

and everyone knows about you because of your family. because yeah, youre a good swordsman, but youre not liked by anyone in the knights. youre not a friend and youre certainly not a sword saint or sword demon. your son mind controls someone because he loves you so much that he would do anything for you and looks up to you like youre some hero, but youre just a wreck whos scrambling to keep what little you have. youre twenty-four and you lose your mom because you were too scared to go on the mission you were assigned on, because youre a coward and youre in over your head and you know, because everyone knows, that you dont measure up. you could never be prepared for this. in a long line of people who have to carry the weight of the world, you crumble easily. your mom goes on that mission and dies and your son becomes the sword saint like this was always going to happen. this is what being loved by the world means. you just killed your mom because you just couldnt suck it up and die on that mission instead. on top of that, your dad says that your five-year-old god of a son killed your mom. its just you and your son and the two of you both killed your mom but youre the worlds biggest laughing stock and your son is the up and coming hero and monster. but you still love your son. you really do.

right?

[laesas]

did you ever make a post about pete not liking tankhun ? i know you mentioned it a few times in your tags but i don't remember seeing a post. (i share your opin ions.)

I definitely toyed with the idea of meta or a gifset but I didn't ever make a full post! I love unrequited love and I ESPECIALLY love the extremely rare platonic version which Tankhun and Pete absolutely nail in my opinion!

There are loads of moments where Pete's smile drops around Tankhun very quickly, or he insults Tankhun behind his back. Instead of laughing things off like Arm and Pol, he almost has a wincing fear-response to Tankhun, which we don't really see at all from the other bodyguards.

I think that Tankhun likes to think of himself as being close friends with his bodyguards, and he does genuinely show a lot of open affection for Pete and eventually concern for his safety. But I think ultimately for Pete, Tankhun is just a part of Pete's job, and over time resentment has built up until he thinks of Tankhun as one of the *worst* parts of it. I definitely don't think he resents Tankhun enough to hurt or endanger him, but that's about as far as it goes, there's certainly very little love there.

Something about that dynamic is just particularly brilliant, especially when combined with Pete's eventual defection from Tankhun's side to Vegas'. He chooses a man who has beaten and tortured him over a man who showers him in affection and throws parties on his return.

I utterly adore Tankhun but I think as a character that's grown up in a gilded cage, he doesn't really understand that what Pete needs is a sense of his own autonomy rather than being dragged to "fun" "lets cheer up Pete" parties that Tankhun has demanded on his behalf. At least with Vegas he *chose* to go back, he handed Vegas the ropes, let him lock him back up again. Even before he develops feelings for Vegas, Pete has clearly felt like a subhuman pet for Tankhun and the main family for a long, long time and I think ironically Vegas acknowledging Pete's humanity is the tipping point for him.

I think even without their nascent romantic love as a factor, Pete would always choose Vegas. Because despite the threat of suffering, he offers a sense of freedom that Tankhun's gilded cage does not. It all makes for an incredibly interesting betrayal, and makes Pete choosing Vegas over Tankhun all the more pointed. By choosing to be Vegas' pet, he chooses to be human.

[bitchfitch]

somebody shoot me with a gun until I am dead before I write the first chapter of that pirate thing for like. Genuinely the eighth or ninth time.

[truethes]

( alt translation: lawl.ess! everything you've taught me turned to be spot on. just like advice from a big bro should be! if you care about your eves, you should protect 'em. let's get a li'l rough! )

i know i've posted these panels before but honestly rereading this entire arc has me absolutely rebawling over and over again. out of all the siblings in sv, il.dio and lawl.ess's dynamic will always be my fave. simply because lawl.ess took il.dio in from his rebirth into being a vampire and tried to teach him the right, stood up for him when the count was going to send him back to being someones pawn ( especially bc he was going to be goaded into a serv.amp / eve contract with him without ild.ios full understanding ), if only to lead them both in an understood shared grief they were unable to face or name. lawl.ess saw his words drive il.dio insane, but it's this moment that il.dio confirms that was never the case - it was his own inability to understand or put word to his grief that ended up in his own warped sense of freedom; a fact they both understand better than anyone around.

[merlinmerlot]

I could play one of the most beautiful well crafted video games on the planet and it will never be as appealing to me as one that kind of sucks shit but has soooo much potential